First produced by Kumu Kahua during its 24th season (1994-'95), and
written by a prolific playwright whose works have been regularly produced
by Kumu Kahua and who has taught playwriting at Kumu, Ola Nā
Iwi (The Bones Live) investigates the serious issues involving
the treatment of indigenous human remains while simultaneously telling a
story that is tender, humorous, mysterious and filled with plot twists and
turns. Kneubuhl skillfully conducts a historical exploration of the
pseudo-scientific and often racist motivations behind grave-robbing via a
series of historical monologues presented by 19th-century professors,
physicians and phrenologists. But the central story is contemporary, with
the plot set in motion when a Honolulu theater group returns from an
international tour with a set of Hawaiian bones "illegally" reclaimed from
a German museum. Several characters appear in pursuit of the bones, for
reasons which are not immediately clear, including the enigmatic Nanea,
whose knowledge of Hawaiian history indicates that she may have the
deepest connection and most important motivation of all.
Kumu Kahua board member Sammie Choy (Another Heaven) directs the
production, with set design by Justin DeLand, light design by Abel Coelho,
costume design by Dusty Behner, sound design by Daniel Sakimura, and props
are by Mike Harada. Craig Howes is the assistant director and Wayne
Paakaula is the stage manager.
The cast features Kumu veterans Phillip Bullington, Kiana Rivera, Dave
Schaeffer, Misa Tupou, and Kumu newcomers Britton Adams, Tiana Alcoran,
Donalyn Dela Cruz, Ariane Fuchs, Miko Franconi, Jan McGrath, & Mane.
Sundays 2pm: November 4, 11, 18, 25; December *2, 2007
*American Sign Language Interpretation performance
Two Humanities Events in Conjuction with Ola Nā Iwi
Event #1, "Ola Nā Iwi: The bones, and Their History,"
will take place at 7:30 p.m. Tuesday, November 6 at Kumu Kahua Theatre, 46
Merchant Street in downtown Honolulu. The central plot of Ola Nā
Iwi deals with the treatment of human bones by Hawaiians, by
archaeologists, by museum curators, by rogues, by scientific institutions,
and by people who for various reasons suddenly find themselves having to
deal with remains. Vann Diamond, former Chair of the O`ahu Burial
Council, and Sara Collins, former State Archaeologist for Hawai`i, will
talk about the Native American Graves Restoration Act (NAGPRA), the
history of scientific treatment of bones, and the current regulatory
debates. Playwright Victoria Nalani Kneubuhl will talk about the writing
of the play. Scenes from the play, and comments from the director, Sammie
Choy, will also be featured on this evening.
Event #2, "Different Perspectives in a Single Place: Ola Nā
Iwi," will take place at 7:30 p.m. on Tuesday, November 20, 2007,
at Kamakakūokalani Center for Hawaiian Studies, UH Mānoa. One of
the most interesting aspects of this play is the way it engages so many
different perspectives in conversation. Four different Hawaiian women
from two centuries are featured prominently in this play, as are Germans,
Samoans, and Americans spread out over two hundred years. Theatre is of
course a fine venue for discussing such matters; tonight's discussion will
be about dialogue, and how it serves as a way of exploring different
perspectives on such key issues as race, cultural heritage and
responsibility, cultural preservation, and the history of all of these
concepts. This evening will feature scholars Jon Osorio and Justina
Mattos. Playwright Victoria Nalani Kneubuhl will talk about the writing
of the play. Scenes from the play, and comments from the director, Sammie
Choy, will also be featured on this evening.
Kumu Kahua's 100-seat playhouse puts you at the heart of the drama. And
with well over 100 plays to our credit, our reputation attracts some of
Hawaii's most talented actors, directors, playwrights, designers and other
theater artists and technicians.